There is and probably always has been a close connection between music and art. What’s awesome are the strange couplings that happen between artists and rock stars (often before either were ‘stars’), especially in the 1960s (because the 60’s are fabulous). So, to start we have the most obvious…
1. Yoko Ono
Yoko Ono is of course, connected to the Beatles via John Lennon (duh). And you may be aware that Yoko is an artist in her own right- but that’s where it gets hazy right? She did some weird conceptual stuff, maybe? In fact, Yoko was a loosely affiliated member of the avant-garde group Fluxus which was established by George Maciunas in the early 60s. Fluxus art mainly consisted of performances, happenings, Flux boxes, and publications. They rejected high modernist values and art institutions, constantly undermining “Art” with a capital A. The group made important strides in experimental poetry, sound art, and film. What does this have to do with ‘Destruction’?! Yoko’s Cut Piece (1965) is a performance where she invites the audience members to cut parts of her clothing off, pretty bold and daring to allow a bunch of complete strangers handle sharp things around her. The piece breaks down social barriers while making the viewer all the more aware of them, simultaneously.
Kenneth Anger (b. 1927) is an experimental, underground filmmaker that specializes in homoerotic and ueber-trippy effects, surrealism and the occult. He was incredibly influential to future directors like Martin Scorsese, David Lynch, and John Waters. So how does he fit? Well firstly, his film Kustom Kar Kommandos (1961-1965) was perhaps the first music video- a scene of a guy polishing a drag strip racing car (very suggestively I might add) with the song “Dream Lover” by the Paris Sisters in the background. To add to that, Mick Jagger (of The Rolling Stones fame) did the sound/music for Anger’s Invocation of My Demon Brother (1966-69). Anger was also bffs with Keith Richards and (for a time) Led Zeppelin’s Jimmy Page.
(Image is a film still from Invocation)
3. John Latham
John Latham (b. Zambia, British 1921-2006) was a conceptual artist with a big impact on performance-based work. He took part in the London Destruction in Art Symposium (1966) with such Fluxus artists as Yoko Ono (!) and Gustav Metzger. Latham constructed three giant skoob towers (books=skoob) entitled the “Laws of England” outside the British Museum and set them on fire. Connection to music? Latham also made films, in 1966, his film Speak was projected behind Pink Floyd’s live set at the International Times launch at the Roundhouse as well as a few shows in 1967. The 11 minute film is said to be an animated film with lots of strobe effects, very psychedelic. Ultimately, Latham rejected Pink Floyd fort he soundtrack of the film, instead using the sound of a circular saw cutting through books.
4. Destruction in Art Symposium and the Guitar Smash
Best for last! The Destruction in Art Symposium, as I said above, took place in London 1966 and was established by Gustav Metzger, a key figure in all things destruction related, and attended by members of Fluxus as well as other artists/etc. in London. Roy Ascott (currently an artist and theorist, and professor), was a professor at Ealing Art College in London and hung out with Metzger, attending this symposium. Ascott taught such notables as Brian Eno, Stephan Willats, Michael English, and…Pete Townshend!!! Townshend enrolled with Ascott around 1961, and performed his first guitar smash in 1964 (yes, that’s 2 years before the symposium, but the destructive art ideas were around well before). Pete Townshend, who would go on to popularize (as well as Jimi Hendrix) the guitar smash for the rest of rock history- to the point where it’s expected and accepted to destroy you instrument. Destructive art lives! But as what? Below: Townshend guitar killing; Right: Skoob Tower